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Frankenstein
€18,00di Mary Shelley
After bringing the creature to life, Victor feels guilty that he has brought a new life into the world with no provisions for taking care of the “monster.” He runs away in fear and disgust from his creation and his conscience.
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Jack Maggs
€11,00by Peter Carey
London,1837. Jack Maggs, raised and deported as a criminal, has returned from Australia, in secret and at great risk. What does he want after all these years, and why is he so interested in the comings and goings at a plush townhouse in Great Queen Street? And why is Jack himself an object of such interest to Tobias Oates, celebrated author, amateur hypnotist and fellow burglar – in this case of people’s minds, of their histories and inner phantoms? A thrilling story of mesmerism and possession, of dangerous bargains and illicit love against the backdrop of Victorian London.
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Jane and Louisa Will Soon come Home
€11,00di Erna Brodber
Enter the world of the protagonist, who explores the multiple dimensions of family and origin for a woman in a rapidly-changing Jamaica. A challenging but highly engaging read. .. not since George Lamming’s In The Castle Of My Skin have we had a first time novel with this kind of effortless , bottomless detail of life and leaf and sorrow
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Jane Eyre
€22,00di Charlotte Brontë
Jane Eyre is an orphan, penniless and plain, but full of courage and spirit. She has endured incredible hardship to secure her humble status as a governess in the household of her brooding employer, Mr. Rochester. Jane’s sharp wit and defiant nature meet with Rochester’s sardonic temperament. The two become enmeshed in a deep, intense bond.
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Joseph Andrews and Shamela
€10,80di Henry Fielding
Henry Fielding wrote both Joseph Andrews (1742) and Shamela (1741) in response to Samuel Richardson’s book Pamela (1740), of which Shamela is a splendidly bawdy travesty. Joseph Andrews begins as a parody, too, but soon outgrows its origins, and its deepest roots lie in Cervantes and Marivaux. In both stories, Fielding demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste.
This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding’s works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from the second edition of Richardson’s Pamela and Conyers Middleton’s Life of Cicero, which is also closely parodied in Shamela. This Oxford World’s Classics edition also features a new introduction by Thomas Keymer which situates Fielding’s works in their critical and historical contexts.








