di Alexandre Dumas

di Aphra Behn

A new single-volume edition of an early anti-slavery novel

When Prince Oroonoko’s passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko reflects the author’s romantic views of native peoples as being in “the first state of innocence, before man knew how to sin.” The novel also reveals Behn’s ambiguous attitude toward slavery: while she favored it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.

This new single-volume edition of Oroonoko includes a carefully modernized text accompanied by an introduction, chronology, explanatory notes and suggestions for further reading.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

di Samuel Beckett

Krapp’s Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and described as ‘a solo, if that is the word, for one voice and two organs: one human, one mechanical. It fills few pages. It is perhaps the most original and important play of its length ever written.’ (Roy Walker)

The present volume brings together Krapp’s Last Tape and Beckett’s other shorter works or ‘dramaticules’ written for the stage. It will be complemented by a forthcoming Faber edition of dramatic works written for radio and screen.

Arranged in chronological order of composition, these shorter plays exhibit the laconic means and compassionate ends of Beckett’s dramatic vision.

KRAPP ‘Here I end this reel. Box – [Pause.] – three, spool – [Pause.] – five. [Pause.] Perhaps my best years have gone. When there was a chance of happiness. But I wouldn’t want them back. Not with the fire in me now. No, I wouldn’t want them back. [Staring motionless before him.]